Coco Sato

Coco Sato is an Origamist and Contemporary Artist based in Brighton, UK. She is an award-winning contemporary artist specializing in origami and geometric sculptures. With a multidisciplinary practice encompassing sculpture, performance, psychology, and geometry, she explores shifting perspectives through the intricate art of origami. Coco’s work bridges cultures by combining traditional Japanese aesthetics with contemporary concepts, inviting audiences to reconsider their relationship with the world.

Education

  • BA, Fine Art, Central Saint Martins

Professional Achievements

  • Awarded the Leverhulme Trust Research Grant for work with Thomas Montenegro-Johnson, Professor of Applied Mathematics, Birmingham & Warwick Universities (2020–2026)
  • Exhibited internationally, including at Westminster Abbey, London
  • Designed public engagement events for the Victoria & Albert Museum, London
  • Created original artworks and experiential events for global brands including Lexus, Victorinox, Barilla, Georg Jensen, and Bodyform

Certifications & Organizations

  • Award Judge for Koestler Arts, an arts education charity in the UK
  • Collaborated with experts across STEM sectors, including mathematicians and engineers
  • Developed signature works such as Roborigami, Electro Origami, Zenogami, and Portagami

Favorite Piece of Advice

Harness the power of collective action and creativity. Hands-on exploration and innovation foster a sense of community and shared play. Combining art and technology creates transformative, immersive experiences that challenge conventional thinking.

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Q&A Comments (12)

What type of paper should I use for folding origami?
Traditional origami paper, known as kami in Japan, is the best option. This paper is lightweight, around 70-90 gsm, and is designed with one side colored and the other side white. These two different colors are helpful for beginners because they make it much easier to see and follow each step as you fold. But if you don’t have this origami paper, a regular copy paper works just fine for practice. Look for paper that’s about 80-90 gsm and uncoated, as coated or glossy paper can be slippery and harder to fold.
How do I make nice crisp folds when making origami?
To achieve those crisp, professional-looking folds, make sure that your paper edges are perfectly aligned. This step is really important because even a tiny misalignment can change the whole look of your design. Once your paper is lined up, press gently along the fold with your finger. Then, use your fingernail to go over the crease to make it sharper and neater. If you want folding to get even easier, you can use tools. A good tool for pressing folds is a bone folder and you can obtain one at craft or stationery stores. If you don't have this tool, there are many other things you probably have around the house that you could use. Many household items can serve as effective substitutes. A ruler, the flat side of a butter knife, or even the edge of a credit card can be used to create sharp, precise folds. The key to crisp folds is to take your time and don't rush—focus on making each fold as precise as possible.
Can I do the wet paper folding technique when making paper airplanes?
Wet folding is an interesting technique, but it’s not ideal for making paper airplanes. Wet folding works best for creating smooth curves or rounded shapes because the slight dampness allows the paper to bend and hold softer lines without breaking. Also, paper airplanes rely on sharp, straight folds to fly well. Adding water makes it harder to achieve those clean edges, and moisture could weaken your paper, which makes your airplane flimsy and prone to tearing. If you're folding paper airplanes, stick to dry folding.
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Co-authored Articles (17)