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A sestina is a form of poetry that has thirty nine lines. It follows a pattern of repeating six words throughout the six stanzas of the poem. While a sestina may seem daunting at first, you can use the form to write vivid, powerful poems with an interesting rhythm. To write a sestina, start by brainstorming ideas and studying the structure of the poem. Then, use sensory detail and imagery to make the poem come to life. Always polish the poem when you are done so it is at its best.

Part 1
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Brainstorming Ideas for the Sestina

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  1. Sestinas often explore a theme or idea in detail. Themes like love, death, war, loss, and nature are all good options. Try to interpret a theme or idea from your perspective. Ask yourself, What does love or war mean to me? How has loss and death affected my life? What can I say that is unique or new about nature? [1]
    • For example, you may write a sestina about love by focusing on your love for your older sister. You may compose the sestina with memories or feelings you associate with your sister.
  2. You can also focus on a memorable event or experience in your life as inspiration for the sestina. Think of any event that was life changing for you or that shifted your view on the world. Write about an experience that affected you in a big way as a person.
    • For example, you may write a sestina about your first kiss or your first time swimming in the ocean.
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  3. The sestina follows a strict pattern where you use the six end words of the first stanza in the remaining five stanzas. Each stanza is six lines long. The poem ends with a three line envoi, also known as a tornada. If you label each word with a letter (e.g. A, B, C, D, E, F), the poem will follow this line pattern: [2]
    • Stanza 1: A, B, C, D, E, F
    • Stanza 2: F, A, E, B, D, C
    • Stanza 3: C, F, D, A, B, E
    • Stanza 4: E, C, B, F, A, D
    • Stanza 5: D, E, A, C, F, B
    • Stanza 6: B, D, F, E, C, A
    • Envoi: B, E
    • Envoi: D, C
    • Envoi: F, A
    • The order may seem complicated at first, but it simply involves "folding". If you imagine a line of, say, beads on a string, labeled A–B–C–D–E–F, and then "fold" this line down the middle, you end up with F–A–E–B–D–C. Then continue this process for the remaining stanzas. When you get to stanza 6, notice that the first three end words are used in the middles of the envoi's lines, and the last three end words are used at the ends of the envoi's lines.
    • The envoi must include the remaining three end words in the poem. This way, the six recurring words appear in the final three lines of the poem.
    • A sestina does not have to rhyme.
  4. Study successful examples of the form so you get a better sense of how to write your own. 19th century poets as well as modern poets have used the sestina to express their emotions, including: [3]
    • “Sestina: Alforte” by Ezra Pound [4]
    • “Farm Implements and Rutabagas in a Landscape” by John Ashbery [5]
    • “A Miracle for Breakfast” by Elizabeth Bishop [6]
    • “O Light Red Light” by Cathy Park Hong [7]
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Part 2
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Writing the Sestina

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  1. Choose six words that are versatile and evocative. You will need to reinterpret these six words throughout the poem, so go for words that are specific enough but also open to interpretation. You may choose a few words that are nouns or verbs. Avoid using adjectives, unless you feel you can interpret the adjective more than one way. [8]
    • For example, for a poem about your love for your older sister, you may choose: “sister, share, hold, learn, bright, blood.”
  2. Rather than try to write each stanza of the sestina in order, arrange the six repeating words in their set places using the pattern of the sestina. Then, write around them, focusing on describing your subject in detail. Try to interpret the chosen words in different ways each time they appear in the poem. [9]
    • For example, you may have one line refer to your sister as a “bright star” and another line later refer to the “bright look on her face.”
  3. Sestinas do not have to rhyme and many modern sestinas do away with rhyme completely. But you can integrate rhyme into the lines of your sestina to give it more rhythm. Try rhyming two words side by side in one line of the sestina to give the sestina an interesting sonic quality.
    • For example, you may use a rhyme like “blood good” or “bright might.”
  4. Metaphors are when you compare one thing to another. For example, “My sister is a blood flower in winter.” Similes are when you compare one thing to another using “like” or “as.” For example, “My sister is like a bright star at night.” Using metaphors and similes in your sestina will make it stronger and more engaging.
    • Often, metaphors are considered more effective than similes.
    • Try using a mix of metaphors and similes to add variety to your sestina.
  5. Integrate the five senses into the sestina, focusing on how your subject looks, sounds, feels, tastes, and smells. Describe the subject using rich imagery that is particular and unique. Avoid cliche or familiar imagery, as this will weaken the poem. [10]
    • For example, for a poem about your older sister, you may focus on how she smells when she’s angry or upset, or how she sounds when she being affectionate towards you.
  6. A good sestina will use the last three lines of the poem to wrap things up in a dramatic way. You may choose to flip around the meanings of the six recurring words for a dramatic finish. Or you may wrap up a narrative with a strong ending in the last three lines of the poem. [11]
    • For example, in Ezra Pound’s “Sestina: Alforte,” he uses exclamation marks and a reinterpretation of the word “peace” to end the poem: “And let the music of the swords make them crimson!/Hell grant soon we hear again the swords clash!/Hell blot black for always the thought “Peace!””
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Part 3
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Polishing the Sestina

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  1. Once you have a draft of the sestina, read it aloud to yourself. Listen to how the words sound in each stanza. Notice if each stanza flows well into one another. Underline or circle any awkward lines so you can revise them later. [12]
    • You can also read the sestina aloud to others to get their feedback. Ask them to tell you how it sounds as you read it aloud to them.
  2. Get constructive criticism about the sestina from peers, friends, teachers, and family members. Ask them if they feel the sestina flows well and explores a certain theme or idea clearly. Have them give you suggestions on ways you can improve the poem and make it better.
  3. Go through the sestina and make sure it has a certain rhythm to it. Confirm it follows the strict pattern for a sestina. Look for interesting sounds made by pairing certain words or lines together. Make sure all the words in the sestina are spelled correctly and that the punctuation and grammar is correct.
  4. You can use a line that you like from the sestina as the title or title the sestina with the theme or idea explored in it. You may also title it simply “Sestina,” though this may not be the most exciting way to get a reader’s attention.
    • For example, a title for a sestina about your older sister might be, “Sestina: My Sister,” or “Bright, Blood, Sister.”
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Community Q&A

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  • Question
    Should the lines be long or short?
    Community Answer
    There are no length requirements. Just try to keep the lines close to the same length, and use line breaks to your advantage.
  • Question
    Can I write a sestina about any topic?
    Community Answer
    Yes, poetry can be about anything!
  • Question
    Does it have to rhyme?
    Community Answer
    A sestina should not rhyme. You'll need to select 6 words which should not rhyme. However, you can internally make a rhyme in a sentence. That is fine and acceptable.
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      Article Summary X

      To write a sestina, choose a specific theme or idea to focus on. Next, write a six-line stanza that ends with six specific words that you will repeat in the poem. Then, create five more stanzas, incorporating one of the chosen six words into each stanza. Make sure all of your stanzas are six lines in length and use the chosen word as the final word in each stanza. End your poem with a three-line envoi that includes the remaining three end words in the poem! For more tips on creating the structure of a sestina, read on!

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