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Want to try your hand at writing a ghazal? Pronounced roughly like English guzzle , this centuries-old form of poetry and song hails from Persia (Iran), Pakistan, and India. [1] This fun and interesting poem is easy to write once you've nailed down the different rules and parts—and we're here to help you do just that! Read on for an in-depth look at how to draft your very own ghazal.

Would you like to learn to write a ghazal? We will teach you!

Though at first the rules may seem a puzzle, we will teach you!

Glossary

(These terms are from Arabic unless otherwise noted.)

  • Bahr (بحر "sea") — Refers to the meter of the poem. In Arabic, the meter is often quite strict. In English, for our purposes, it refers to the number of syllables in a line.
  • Ghazal (غَزَل‎) — An ancient form of Arabic poetry, now diffused to many languages and cultures, and still actively written in our time. Read on to find out how to do this!
  • Maqta (مقطع "division, part, section") — The last sher (couplet) of a ghazal. Typically it includes the poet's takhallus (pen name).
  • Matla (مطلع "beginning") — The first sher (couplet) of a ghazal. It tells the reader the radif (refrain) and qaafiya (rhyme).
  • Qaafiya (قافیہ "rhyme") — The rhyme, discussed in Step 2.
  • Radif (ردیف "row, order") — The refrain, discussed in Step 1.
  • Sher (شعر "poem") — Any couplet of a ghazal. (As noted below, each couplet constitutes a mini-poem.) This is the Persian term, and the one used in this article. The Arabic term is bayt (بیت "house").
  • Takhallus (تخلص "liberated", hence "ending") — The poet's pen name or nom de plume , typically included in the maqta as a sort of sign-off.
1

Decide what your radif is going to be.

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  1. It makes sense to choose one that can be flexible in use and meaning, so you can use it in different ways in each sher , or couplet.
    • You're bound to make a few false starts, and you'll soon realise that your choice of radif is the single most important factor in determining how successful your ghazal is likely to be.
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  1. Traditional topics include wine and drunkenness. When taken literally, this is quite something when you consider the time and place of origin of this poetic form! When taken metaphorically, wine represents the divine, or a connection or conduit to the divine. Drunkenness represents a meal of this food for the spirit.
    • Another traditional topic is love (where it's often deliberately ambiguous whether the poet is referring to divine love or love between two people).
    • At the same time, however, the key word is "traditional". As with any poetic form, you can write about any topic that works. See also for example Patricia Smith's "Hip-Hop Ghazal".
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4

Get writing.

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  1. Each line contains the same number of syllables. Each couplet is a separate, complete mini-poem, so there's no need for any narrative progression, or any real connection between the couplets. Both lines of the first verse end with the qaafiya and radif. See down the page for an example ghazal. [3]
    • Remember, each couplet constitutes a separate little poem, so don't have one verse rely on a previous one to make sense.
5

Finish with a flourish.

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  1. Try to end with something subtle yet unexpected. This will cause the reader to ponder your words, and hence will add more depth to your ghazal.
    • Traditionally, the poet's pen-name was included in the last verse; this final couplet usually contains a 'turn', or change of tone, to something more personal or quirky.
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      Tips

      • If you write a ghazal you're proud of, why not send it to one of the Internet's many poetry sites for possible publication and peer review? The Ghazal Page is now defunct (as of 29 October 2019) but there are still many sites (not specialising in any one form) that just might take your poem.
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      Example Ghazal

      In this example, the radif is "I do not know", while the qaafiya (the rhyme preceding it) is -ate, as in slate, fate, depreciate , etc. In the example, each line contains 14 syllables, but any length is fine - it's up to you.

      Stranger at the Gate

      Who cares about the stranger at the gate? I do not knowThe poor orphan, abandoned to his fate? I do not know

      Where once I had the answers, now my mind is full of doubtHow do these certainties depreciate? I do not know

      From noon till night our ardent looks would scandalize the townWhy is it that your eyes are filled with hate? I do not know

      It used to be that man respected man for what he didThese days are we just numbers on the slate? I do not know

      The wisdom of the years is something valued now by noneThe butt of standing jokes, this balding pate? I do not know

      The saqi 1 turns his back; how many skins will be required,
      oh my love, this unholy thirst to sate? I do not know

      Once upon a time Amir was counted a believerTo every question now I simply state, I do not know

      1 Saqi: a wine-server in a medieval Persian tavern
      Released to Creative Commons by the author

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