How to Paint a Portrait

PDF download Download Article
PDF download Download Article

Ready to craft a realistic, beautiful portrait? People have been creating portraits for as long as the art of painting has existed, and this is a key skill in any artist’s repertoire. If you’re new to portrait painting, don’t worry. Practice goes a long way when it comes to mastering the human form, and you’ll be crafting elegant portraits in no time. Read on to learn everything you need to know about painting portraits.

1

Practice drawing yourself.

PDF download Download Article
  1. Using a drawing paper pad, or even some xerox paper taped to a sturdy board, a conte crayon or piece of vine charcoal (a soft pencil will do, too) and a mirror, sit in front of the mirror and study your features. Set up your working area so that there is a light coming from one side. If you are right handed, the light should be on your left side and slightly above you. [1]
    2. Advertisement
2

Start with the eye.

PDF download Download Article
  1. Find a piece of paper that is larger than your head so your drawing will be the same size as your portrait subject, in this case yourself. Hold your head steady while drawing. Use your eyes, not your head, to look down at your paper. Don't move your head from side to side. There are several approaches artists use. I will start with my favorite portrait artist's, Richard Schmid's: look at one of your eyes. Study it carefully. You will draw the eye first and work gradually out from there, comparing proportions and measuring carefully. [2]
3

Develop the key details.

PDF download Download Article
  1. Is there a prominent fold above the eyeball or not? Are the eyebrows bushy or thin, arched or straight or sloped? Very lightly draw an oval on your paper that is approximately the proportion and shape of your left eye. [3]
    2. Advertisement
4

Work your way out.

PDF download Download Article
  1. It's easier to draw a face the first time if you are looking straight-on to the mirror. Most faces are fairly symmetrical but not perfectly so. Notice the distance from the right eye to the left. Using the width of the eye as a basic measuring unit, gauge the width of that space between the eyes and carefully draw the outline, lid and iris of the left eye, then mark the space between the eyes; then draw the outline and some detail of the right eye. Indicate the direction and width of the eyebrows. [4]
5

Use a plumb line to keep things even.

PDF download Download Article
  1. Draw a very light plumb line down the center of that space between the eyes to the bottom of the chin and up to the hairline. This will help keep your drawing symmetrical. [5]
    2. Advertisement
6

Use the eye-width rule.

PDF download Download Article
  1. Measure your eye-width unit and compare that distance to the distance between the inside corner of one eye to the bottom of the nose. Make a light, short line at the bottom of the nose. Compare the width of the eye to the width of the nose. Make a mark on either side of your plumb line indicating the width of the nose. Then compare the distance between the bottom of the nose and the separation of the lips. Keep checking those proportions! Getting those proportions right is what makes a good portrait or likeness. [6]
7

Sketch out the cheekbones carefully.

PDF download Download Article
  1. Look for the width of the cheekbones and make a light mark to indicate those, then work sideways to the ears. The ear is a very complex thing to draw, and quite unique to each person. The top of the ear is usually somewhere around the level of the eyebrows, but again, look carefully before you draw. Each person's face is unique!
    2. Advertisement
8

Center the image in the chin and jaw.

PDF download Download Article
  1. The chin and the jaw are key, striking features that anchor the face.
9

Outline the hair.

PDF download Download Article
  1. Indicate the height and width of the hair, and carefully draw the outline of it, adding masstone in the value of lightness or darkness of the hair. Don't worry about details! When you look at someone's hair, you notice the color and shape, not the individual hairs. It should be the same in your drawing.
    2. Advertisement
10

Add shadows.

PDF download Download Article
  1. When you have your proportions indicated, look at areas of light and dark in your subject. Gently shade some of the darker areas to get a sense of dimension. Work on the darkest areas first -usually the iris. Leave white for the curved highlight on the iris. Notice that the eyeball is curved and that one side of the eyeball is slightly in shadow. Look carefully at the proportion and location of the highlights.
11

Shape the eyelids.

PDF download Download Article
  1. Notice the shape and proportions of the upper and lower lids of the eyes. Don't worry about lashes - they can be gently indicated by a darker line later on.
    2. Advertisement
12

Shade the skin.

PDF download Download Article
  1. Begin by Indicate the shape of the skull and the curves of the flesh that cover it by gradually shading the sides of the face and jaw, the eye sockets, the dip in the skull above the eyes, then pick out some of the lighter areas in the masstones of the hair.
13

Cast a shadow on one side of the nose.

PDF download Download Article
  1. Gently shade the shadow side of the nose and try to capture the unique shape of it, especially the tip. That is another characteristic point of the face.
    2. Advertisement
14

Shade in the philtrum.

PDF download Download Article
  1. Notice the dip between the two halves of the upper lip and gently shade the shadow side of that and the shadow side of the upper lip, toward the corner of the mouth.
15

Add detail to the mouth.

PDF download Download Article
  1. Notice the areas of light and dark on the mouth and gently shade those; then the receding area below the lower lip. The lower lip casts a shadow but don't make too much of it. Finally, indicate the shadow side of the jaw, indicate the neck and collar, with some shading on the neck to make it believable and pick out a few lights in the hair with the corner of your eraser. You're finished! But don't stop there! Keep at it! You will only get better!
    • You can pick a photo reference in which the model looks straight at you.
    • Make sure the photo has a clear division between light and shade.
    • You can make the drawing and then transfer it onto the canvas or draw directly on it with a pencil or a brush with thin paint.
    2. Advertisement


Community Q&A

Search
Add New Question
  • Question
    How do I mix realistic skin colors?
    Community Answer
    I recommend checking out a book from the library on portrait painting in the media you'll be using (oils, acrylics, watercolor). The colors will vary depending on the skin tone of the person who's portrait you are painting.
    Thanks! We're glad this was helpful.
    Thank you for your feedback.
    If wikiHow has helped you, please consider a small contribution to support us in helping more readers like you. We’re committed to providing the world with free how-to resources, and even $1 helps us in our mission. Support wikiHow
    Yes No
    Not Helpful 9 Helpful 12
  • Question
    Which acrylic colors do I mix to make red hair?
    Community Answer
    You can try to play around with some red and brown acrylics to get the right shade of red that you want.
    Thanks! We're glad this was helpful.
    Thank you for your feedback.
    If wikiHow has helped you, please consider a small contribution to support us in helping more readers like you. We’re committed to providing the world with free how-to resources, and even $1 helps us in our mission. Support wikiHow
    Yes No
    Not Helpful 6 Helpful 9
  • Question
    How do I make skin color?
    PurpleHoodie
    Community Answer
    It varies, depending on which type of paint you will be using. For acrylic, mixing equal amounts of red, yellow, blue and white will create a flesh tone. You can adjust the amount of white to lighten the tone, or add blue and red to darken.
    Thanks! We're glad this was helpful.
    Thank you for your feedback.
    If wikiHow has helped you, please consider a small contribution to support us in helping more readers like you. We’re committed to providing the world with free how-to resources, and even $1 helps us in our mission. Support wikiHow
    Yes No
    Not Helpful 6 Helpful 12
Ask a Question
200 characters left
Include your email address to get a message when this question is answered.
Submit
      Advertisement

      Video

      Tips

      • It's really important to look at a face as not a collection of separate features but part of an organic, functioning whole. If you get the shape and proportions of the skull right, you're three-quarters of the way there!
        Thanks
        Helpful 24 Not Helpful 6
      • To make a good skin colour when painting, mix red and white with a touch of green.
        Thanks
        Helpful 28 Not Helpful 12
      • Practice, practice, practice!
        Thanks
        Helpful 23 Not Helpful 12
      Show More Tips
      Submit a Tip
      All tip submissions are carefully reviewed before being published
      Name
      Please provide your name and last initial
      Submit
      Thanks for submitting a tip for review!
      Advertisement

      You Might Also Like

      How to
      Dry Resin Art
      How to
      Create a Random Abstract Drawing with Lines or Circles
      How to
      Create Realistic Flesh Tones
      How to
      Create an Abstract Painting
      Advertisement

      References

      1. ↑ https://shop.mybluprint.com/art/article/painting-a-self-portrait/
      2. ↑ https://emptyeasel.com/2013/09/16/how-to-paint-portraits-from-photographs-a-step-by-step-oil-paint-tutorial/
      3. ↑ http://www.artyfactory.com/portraits/acrylic-portrait-painting/acrylic-portrait-painting-3.html
      4. ↑ https://idahoartclasses.com/category/portrait-drawing/
      5. ↑ https://idahoartclasses.com/category/portrait-drawing/
      6. ↑ https://idahoartclasses.com/category/portrait-drawing/

      About This Article

      In other languages
      Thanks to all authors for creating a page that has been read 153,198 times.

      Reader Success Stories

      • Angie Williams

        Aug 8, 2016

        "I am so thankful for this very simple, concise, yet thorough tutorial for learning to paint a face. It is perfect ..." more
      More reader stories Hide reader stories
      Share your story

      Did this article help you?

      Advertisement