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A high-quality actor must work hard in any role in order to appear natural. Such a professional reads scripts, practice monologues, and takes creative risks in acting classes. It takes a lot of hard work to come off as an effortless performance. Here are some key steps in become a true thespian:

Method 1
Method 1 of 3:

Practicing Independently

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  1. Acting requires you show off the full range of human experiences, so practice those experiences with a short game of emotional stretching. Take a simple but versatile line, like "I love you" or "I forgot all about that," and practice saying it as many ways as you can -- happy, loving, angry, hurt, hopeful, shy, etc. Do it in front of a mirror. Or, record yourself so that you can see your facial expressions as well as hear your tone of voice.
    • Make a list of emotions to run through each time. Are there some that you need to practice more often than others?
    • Up the challenge by trying to flow from one emotion naturally to the other. What is it like, for example, when a happy person suddenly hears devastating news?
    • For a masterclass in emotional range, with purely facial expressions, check out Patton Oswald in this short film with David Byrne.
  2. You can purchase a book of monologues online or through the internet, giving you hours of potential roles to inhabit. Pick one and practice it 2-3 times, then record yourself giving the speech. When you rewatch it, take notes on where you want to improve, what lines sounded great, and ideas you have to make it better. Then re-do the speech, recording again until you're happy with the results.
    • Choose a variety of monologues, not just the ones you're most comfortable with. This is practice time, so challenge yourself. [1]
    • You also want to try monologues that have contrasting tones. If you're intending to use the monologues for auditions, steer clear of famous or frequently performed ones. [2]
    • It may be worth experimenting, rather than going for a set expectation of perfection. Sometimes a different approach can really make a monologue stand out.What happens if you:
      • Slow your lines down?
      • Stress different words?
      • Put longer pauses in?
      • Say it in a different mood: sarcastic, uncertain, authoritatively, arrogantly, and so on?
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  3. Watch and rewatch your favorite scenes. What are the actor's movements like? What words do they emphasize in each line? What are they doing when they aren't speaking? Don't just watch great actors, study them to learn how they became so great.
    • Would you read the same lines differently? If so, how?
    • Look up several different actors playing the same role on YouTube, which is common with Shakespearean plays or movies. How does each actor make the role unique and memorable with the exact same lines? [3]
    • Remember that actors you admire do not necessarily have to be your same sex, age, or ethnicity.
  4. All actors need to be clear and confident in their readings. This is another place where recording will come in handy since you can hear back your voice and detect any unclear phrases. Focus on speaking clearly in a variety of volumes and speeds, so that every word comes out with power and conviction.
    • Stand up straight, with your shoulders back and chin up, when reading. This allows clear, uninhibited airflow. [4]
    • Read a monologue or article out loud, but without acting it out. Focus on clear, well-articulated words and phrases and an even pace. Speak as if you were giving a lecture.
  5. A cold reading is when you are given lines and asked to perform them without any practice--this is especially common for auditions. While this seems intimidating, it is a great way to improve your skills and become comfortable with improvisational acting, which in turn makes you an even more confident actor.
    • Focus on reading the line, quickly rehearse it in your mind, then give eye contact to your audience, and deliver the line.
    • Dramatic pauses are your friend. It is typically wiser to go slower than too fast.
    • Grab a newspaper or magazine, or pick a short story, and deliver it as a speech.
    • Look up short scenes or monologues online and launch right into them without preparing.
    • Record yourself and play it back to get feedback.
    • This is also a good warm-up exercise, helping you prepare you mind and body for acting. [5]
  6. The best actors are chameleons-- disappearing and blending into each and every role. To do that, however, you need to have a wide variety of experiences. While you should watch movies and plays, reading and writing will expose you to new viewpoints and voices that will inform your acting. This is especially important if you're going for a specific role. Go a little deeper, doing research to fully inhabit your characters. [6]
    • Read plays and scripts, at least one a day. When done, watch the movie and note how the actors portray the text.
    • Study famous characters and monologues. How do they develop and change? What makes them so good? Highlight, annotate, and look up any words you don't know to get closer to the text. [7]
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Method 2
Method 2 of 3:

Learning the Craft with Others

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  1. You can write the scenes yourself or you can pull them from a book. You can even look up scripts online and re-act your favorite movies or shows. The best way to practice acting is to act, so grab a friend and work together to improve your skills.
    • YouTube has created a market for short, fun scenes or videos. Consider starting a short web series with a friend.
    • When possible, record your practice sessions, or have another friend watch and give advice on ways to improve.
  2. If you want to be an actor, you need to study. Pay attention not just to the teacher but also other students. You can learn something from everyone, even if you don't agree with their acting decisions. Think about how you would play each role, and learn from your classmate's successes and shortcomings.
    • You may end up playing roles later on with your classmates, and you never know when someone will get their big break. Be kind and supportive to your classmates -- they will form your acting community as you grow.
  3. Improvisation is a crucial skill, even if you never plan on doing improv comedy. This is because improv forces you to react to any situation, and stay in character. Acting is not just about delivering lines -- it is about inhabiting the character no matter what is happening on stage or on screen. [8]
    • Some acting techniques like the Meisner technique are actually all about being the most improvisational, instinctive, moment to moment, from your gut, out of your head actor you can be. [9]
    • If you don't want to pay for classes, you and several acting friends can look up improv games online. Use them to practice in your own home.
  4. Don't box yourself into one type of role or genre. Not only does this make it harder to get jobs, but it limits your skill set and prevents further development as an actor. Anything that puts you in front of an audience, from movies, commercials, plays, and even stand-up, can help your practice your acting skills.
    • Paul Rudd started life as a wedding DJ before getting acting jobs, but used the time to learn to interface with a crowd.
    • Stand-up comedy is basically a one-person show, and you need to write and act out your material by yourself. This makes it an incredible practice opportunity.
    • Even if you want to be a movie actor, try to perform in a play. The dedicated time in one role and need for consistency is invaluable for any actor. [10]
  5. Even if you're not acting, start making connections with people than can help you get on stage. Place yourself in jobs that connect you with directors, producers, and other actors, even if you start as a lowly PA. An old but true cliche is that "people hire people." It is not your resume or a faceless email that gets you the next big role. You need to be out in the world meeting people and getting your feet wet whenever you're not acting.
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Method 3
Method 3 of 3:

Perfecting a Specific Role

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  1. You need to understand the entire story, not just your role, to be effective. Remember that your job is not to stand out, it is to a part of the larger story. You need to understand the story, both its themes and motifs as well as your own role, to get to that point.
    • Once you've got a grasp on the full story, turn to your parts and read them an extra 1-2 times. Now, focus on your character's role and lines.
    • If you had to sum up the movie in 1-2 sentences, what would it be? How about your role?
  2. To really get into your character, you need to know who they are. You don't need to write out a biography, but you should figure out their basic story and life. Sometimes you can discuss this with the director, and sometimes you just need to trust your gut. Don't worry about going too in-depth. Instead, just answer a few basic questions:
    • Who am I?
    • Where do I come from? Where do I want to go?
    • Why am I here? [11]
    • It can also be helpful to think about some of your character's defining features that can be layered onto your performance, like the way they dress, talk, and walk. [12]
  3. All characters, in almost all stories, want something . This desire drives the character's story. It could be one thing, or very possibly conflicting desires. This desire is what drives your character throughout the entire plot. It is perhaps the most important factor of your role.
    • A character's desires can change, but you need to know when this happens in the script.
    • As an exercise, try and pick out the desires of your favorite characters/actors. In There Will Be Blood, for example, Daniel Plainview is completely driven by the need to get oil. Every action, look, and emotion springs from this unending, passionate greed. [13]
    Meryl Streep, Actor

    Genuine curiosity in others grounds your performance. "I'm curious about other people. That's the essence of my acting. I'm interested in what it would be like to be you."

  4. You want to know the lines so well you don't have to remember them. You just have to think about how you're going to say them. Get a friend to play the other roles so that all you have to do is play your part. You can then bounce back and forth like a real conversation.
    • Experiment with the lines. Try them multiple ways. How does this affect the scene?
    • Memorize the lines before perfecting them. If you keep trying to remember the words, you're never going to make them sound natural.
  5. Remember that you are there to serve the story, not yourself. Chat with the director to figure out if there are any specific traits, emotions, or ideas they want in the character. That said, you should bring your own ideas to the role as well. Let the director know your own vision for the character, but be willing to include their ideas as well.
    • If you are going to an audition, pick a direction for the character and stick with it. You won't have time to ask advice and then change the character in the audition, so just trust your instincts. [14]
  6. The basics of human emotion are universal. You may have never saved the world from an alien invasion, but you have felt fear before. You've had to be courageous, and you've stepped up in times of trouble. Find the emotions and experiences that relate to your character if you're ever confused how to act. Great actors show people another side of themselves. They are relatable and human, even if the character is nothing like the actual actor.
    • Start by figuring out the basic emotion of the scene -- happiness, regret, sadness, etc. Then build from there.
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Expert Q&A

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  • Question
    How do I get into acting with no experience?
    Jim Jarrett
    Acting Teacher
    Jim Jarrett is an Acting Teacher and the Founder of The Meisner Technique Studio based in San Francisco, California. With over 30 years of experience, he specializes in teaching The Meisner Technique and is Sanford Meisner's last teaching protégé. Over the years, Jim has established schools in Los Angeles, California, Hawaii, and Sun Valley, Idaho. He also travels the world annually as a guest teacher at universities, performing art schools, and theater companies throughout North America, Europe, and Asia. His flagship school is located in the heart of the Presidio in San Francisco, California.
    Acting Teacher
    Expert Answer
    Try to make sure that your acting foundation is rock solid. Finding an acting teacher or series of classes or workshops that will hone your craft will be essential to sustaining a career as an actor.
  • Question
    How can I make it easier to memorize my lines?
    Lesly Kahn, MFA
    Acting Teacher & Coach
    Lesly Kahn is an acting teacher and coach based in Los Angeles, California. She is the founder and owner of Lesly Kahn & Company, Actor Training, which focuses on preparing actors for employment in film, television and theatre. With well over 30 years of experience, Ms. Kahn has coached hundreds of actors who have become household names. She also ran the BFA Program in Acting at Marymount Manhattan College, and worked in television as well as New York and regional theatre. Lesly holds a BFA from New York University and an MFA from The Yale School of Drama.
    Acting Teacher & Coach
    Expert Answer
    Visualize what you're saying. So if I asked you what you had for breakfast this morning, what do you do? You picture your breakfast this morning. You see the bagel and the cream cheese and the coffee and the orange juice and the eggs and the bacon and whatever else you ate. That's what you do in real life. In real life, people picture what they're talking about. Actors picture the lines on the paper. That's why they can memorize them. See what you're saying in your head as you're saying it.
  • Question
    How do I make my acting more authentic?
    Lesly Kahn, MFA
    Acting Teacher & Coach
    Lesly Kahn is an acting teacher and coach based in Los Angeles, California. She is the founder and owner of Lesly Kahn & Company, Actor Training, which focuses on preparing actors for employment in film, television and theatre. With well over 30 years of experience, Ms. Kahn has coached hundreds of actors who have become household names. She also ran the BFA Program in Acting at Marymount Manhattan College, and worked in television as well as New York and regional theatre. Lesly holds a BFA from New York University and an MFA from The Yale School of Drama.
    Acting Teacher & Coach
    Expert Answer
    What you never want to do is act like someone. That's the way to make sure that your acting isn't real. Instead, what you want to do is what people do. If a person is a nurse, they don't run around acting like a nurse. They just think the thoughts of a nurse. How do I help that patient? I better go get some clean towels. Oh, I have to go wash my hands now. I have to get the doctor. If you think nurse thoughts, suddenly you're a believable nurse. If you act like a nurse, you become a caricature of a nurse.
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      About This Article

      Article Summary X

      To practice acting, work on expressing individual lines, such as “I love you,” using different emotions, like happiness, sadness, and anger. Additionally, record yourself reading monologues or short speeches, then watch them and figure out how you can deliver lines more convincingly. Once you’re comfortable with your delivery, add gestures and movements to emphasize important aspects of your character or key dialogue. You should also consider enrolling in an acting class or getting involved with a local theater group for additional practice. For more tips, like how to practice cold readings and improve your improv skills, scroll down!

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